for peanuts in Boise, Idaho, this
modest creature feature marked the too-short directorial career of Jackie Chong, a 23-year-old newcomer at the time who would go on to helm the beloved Blood Diner as well as Night Patrol and The Under Achievers. Her self-penned script is a generic pastiche of almost every monster movie story element since the '50s including standbys like a small town trying to suppress a panic and a mutated horror bred by toxic waste, but the truly crazed cast gives it a unique flavor including a surprising number of comics.
with Mona the Virgin Nymph and soon cashed in with jokey porn spoofs like Flesh Gordon and Alice in Wonderland. Though most of the The Being's cast members keep their clothes on,
Osco's silly sensibility still jibes well enough with Kong's trash aesthetics; the result is an odd, dirty-looking, but strangely fascinating cousin to the likes of C.H.U.D. and most of Larry Cohen's output around the same time. The cast of random celebrities (many connected to a comedy club he owned) makes the proceedings even weirder, like an Irwin Allen disaster movie that somehow morphed into a '50s monster-on-the-loose drive-in film. Of course, Kong also piles on the gore and the occasional glimpse of T&A to keep the crowds happy and to distract from the uneven script, which feels like it was being shoved under the actors' doors while being written piecemeal day to day. In the monster movie pantheon, at least one bit involving separate carloads of locals watching a monster movie at a drive-in is genuinely inspired; Kong also keeps viewers on their toes with an utterly bizarre black-and-white nightmare sequence involving Landau and Buzzi that has little connection to the film but does give it an unexpected surrealist punch. 
In 2017, Code Red brought the film to Blu-ray with a transfer that presumably does what it can with a feature that still looks very dark and grungy. There's far less element damage here and detail notches up quite a bit, but the appearance looks like it's going to be modest no matter what. The English DTS-HA MA audio sounds okay for what amounts to a very basic sound mix. Fortunately the film has been outfitted with a couple of new extras, starting with a new audio commentary by Kong herself. Among other things she reveals that she originally intended Harry Dean Stanton to play the lead, pontificates on the heavy amount of slime, and explains the reason her films have tended to date very well. (It sounds like Marc Edward Heuck chimes in here and there as well, though he isn't introduced at the beginning.) As always she's smart and funny, making for a good 80-plus minutes of chatting. A second commentary is included with actor and comic Johnny Dark (also moderated by Hueck, far away from the mic), focusing on both his career in the heyday of comics like Robin Williams and his memories of Osco and Kong. The original trailer is included (in very lo-res quality) along with bonus ones for Sole Survivor, The Dark, Slithis, and Devil's Express.