Color, 2018, 99 mins. 49 secs.
Directed by Christopher Caldwell & Zeek Earl
Starring Pedro Pascal, Sophie Thatcher, Jay Duplass, Andre Royo
Gunpowder & Sky (UHD, Blu-ray & DVD) (US R0 4K/HD/NTSC), Capelight (UHD & Blu-ray) (Germany R0 4K/HD) / WS (1.85:1) (16:9)
all the money studios tend to throw at science fiction movies, especially
in the wake of the resurgence of Star Wars, one aspect that can't be bought is individual imagination. That resource is thankfully all over the 2018 indie Prospect, which started life as a 2014 short film from writer-directors Christopher Caldwell and Zeek Earl and ended up being considerably expanded and revised for feature length. Along the way they picked up two notable actors, The Mandalorian's Pedro Pascal and Transparent's Jay Duplass, though it's really a primary showcase for young Sophie Thatcher through whose eyes the entire story unfolds. Shot on location in the eerie and vaguely unnatural-looking rainforest at Olympic National Park in Washington, it's a film loaded with meticulous and fascinating details that reward repeated viewing while also providing an entertaining western-style story set in another world.
rich -- if they can get to the mercenaries who hired him to dig at the potential lode at a site
called the queen's lair. Along the way they encounter two other prospectors including Ezra (Pascal), resulting in a standoff that will alter the course of the entire mission.
The best way to see the film is easily the 2021 UHD and Blu-ray set released by Gunpowder & Sky distributed through OCN Distribution, Vinegar Syndrome's sister company.
Packaged in a rigid slipbox and slipcover with a set of trading cards and an Aurelac Prospecting booklet (limited to 2,000 units), the release touts a brand new higher bitrate encode than any previous release. The results are certainly impressive with the UHD maxxed out to take up the bulk of the disc space making the most of the native 4K photography with a terrific level of detail throughout. The HDR is more subtle, offering some nice gradations during the effective shots of toxic dust floating through the air and really bursting to life with some gold-heavy shots of sunlight pouring through trees. The DTS-HD MA 5.1 English track (which features optional English SDH subtitles) pulls a fun trick by starting off as mono for the opening moments (a la Equilibrium) before slowly immersing you in the surround channels. Rear activity is limited but startling when it counts, including some fun disorienting aural effects during the last 20 minutes and doing justice to the striking score by Daniel Caldwell. (Also, those subs come in really handy for some of the invented slang terms peppered throughout the dialogue, sometimes difficult to make out under those helmets.)
including the aperture tricks used to make the background look a little more alien,
the back injury and cold that trooper Pascal had to contend with during the shoot, the creation of backstories for even fleeting and seemingly mundane pop culture elements, their reactions to the film's fan following, and the challenges of shooting in a location that isn't exactly conducive to hauling in lots of generators and lighting equipment. (The commentary's also on the UHD, which is otherwise dedicated to the film itself.) The original 2014 short film (13m58s) is also included and makes for a fascinating comparison, pretty much covering the same narrative ground as the first 20-ish minutes of the film but ending on a far darker note and featuring more of a concentration on the environment's insect life. Also included are a short behind-the-scenes featurette (4m33s), "Channel Rat" (3m8s) and "Leroy" (4m1s) deleted scenes, and two "Inside Prospect" bite-sized making-ofs, "Helmets of Prospect" (1m16s) and "The Drop Pod" (1m17s). You also get four "Scene Analysis" bonuses, essentially mini-commentaries over footage from the film: "Merc Camp" (7m12s) with costume designer Aidan Vitti, "Dust VFX" (3m16s) and "Spaceship VFX" (4m45s) with visual effects supervisor Ian Hubert, and "Cee Pod Interior" (2m50s) and "Ezra Arrival" (5m15s) with production designer Matt Acosta. Finally the Blu-ray rounds out with the theatrical trailer, an early teaser trailer, and a batch of spots and bumpers.