exploitation auteur Doris Wishman got her start in the early '60s churning out a string of cheerful, eccentric nudist camp films all lensed in Florida. A key
component in the history of vintage sexploitation, nudist camp films, a subset of the popular nudie-cutie films, were essentially a way to deliver lots of skin to viewers without worrying about censorship since there was no sexuality involved. Instead these were odes to the benefits of sun worship and a healthy outdoor lifestyle, which may or may not have borne much resemblance to the folks you'd actually see at a real naturist resort. Strangely, these are also among the most accomplished and "normal" of Wishman's work in filmmaking terms since she hadn't yet discovered the wonders of random cutaways to feet, hairdos, and sofas. Now her entire surviving nudist output has been collected by AGFA and Something Weird as a three-disc Blu-ray set, The Film of Doris Wishman: The Daylight Years (though it could have easily been called The Sunlight Years), the third and last in their quest to collect as much of her work as possible in glorious high definition.
Nichols (Wishman regular Mayer), when the former inherits $3 million from his furrier uncle. Far too impatient to wait for government
funding, Jeff plows ahead with his plan to take a rocket to the moon with Nichols along for the ride. Aided by office manager Cathy (Marietta), they manage to pull it off after six months and blast off to find that the moon is really a foliage-filled paradise filled with antennae-sporting topless women and beefy dudes. The two men only have a limited supply of oxygen as they observe the activities of this lunar civilization and take some photos, but Jeff is so taken with the exotic and telepathic Moon Queen (Marietta) that he becomes very reluctant to go home.
Sharing space on the same Blu-ray is the second Wishman film to hit
DVD back in the day, 1962's Blaze Starr Goes Nudist, an adorably ridiculous vehicle for famous burlesque performer Blaze Starr (whose life was later turned into the Hollywood film Blaze with Paul Newman and Lolita Davidovich). Here our gal Blaze is burned out by the endless grind of performing, autograph sessions, and photo shoots engineered by her manager and boyfriend, Tony (Berk), who has her under the studio lights every day by the crack of dawn. Trotting out for an afternoon off under the palm trees, she wanders into a movie theater where she sees a spotlight feature on nearby nature camp Sunny Palms Lodge. More than a little intrigued, she slips on some gold lamé pants and drives out to the resort where she's greeted by manager Andy (played by crooner Ralph Young, who sang most of Doris' '60s theme songs). As it turns out, the lifestyle is just the tonic she needed -- but Tony's not pleased at the bad publicity that might emerge from, uh, a stripper being a member of a nudist colony. Will Blaze ever find a perfect work-life balance, and how much clothing will she have to wear in the process?
on the timeline a bit to Doris' first film, welcome to disc two with Hideout in the Sun which
started off her bizarre, truly unique career with bare-assed panache. It comes packed with the all the staples you'd expect (volleyball players with one team wearing pants to obstruct frontal nudity, bare-butt archery, gals lounging in swimming pools on inflatable rafts with their legs oh-so-strategically placed, etc.). Lensed in very bright color, it's an utterly ridiculous robbery caper shoehorned into a nudie-cutie template as robbers Steve Martin (Bauer) (Doris must've just been watching the original Godzilla) and Duke (Conrad) wind up hiding at a Miami naturist resort on their way to Cuba, with a buxom hostage, Dorothy Courtney (Carlos), in tow. Duke hides out in their bungalow while Steve and Dorothy go au naturel to blend in with the locals, and soon their escape plans take a not-too-surprising turn. It's all rather sweet and innocent with the heavy amount of bare bosoms and derrieres blending in with the scenery after a few minutes, and Doris' fractured framing is kept to a minimum here. The cast is mostly a bunch of no-names, but nudist movie regular Dolores Carlos also popped up in favorites like Pagan Island, H.G. Lewis' A Taste of Blood, and the immortal The Beast That Killed Women.
compositions on the latter look workable with all the extraneous headroom lopped away, but it's really a
toss-up either way depending on own preference. Michael J. Bowen (now the official owner of the film) contributes a full audio commentary in which he talks in detail about Doris' career and the bizarre history of this film, and he also provides liner notes and a text interview with Doris going more into detail about her nudist camp cinematic cycle. The first disc also contains a 6m49s Wishman interview (excerpted from Schlock! The Secret History of American Movies), a 1960 "The Year That Was" newsreel, and a batch of Retro-Seduction trailers, while the second disc adds on a bonus nudie featurette ("Postcards from a Nudist Camp," basically a vintage European travelogue short) and additional vintage trailers for titles like Daddy Darling. The 2022 Blu-ray comes from the same print, obviously, but it hasn't been given any digital tampering here (i.e., original credits left intact) and looks a bit sharper here. The color palette is also more neutral by comparison to more saturated, warmer look of the DVD. A new, different Bowen track is also included with a slew of additional info that wasn't available at the time as well as thoughts about the quirks of this outing shot around Dade County.
The companion feature on this disc is
1963's Gentlemen Prefer Nature Girls, a cute nudie twist on the office rom-com formula. By day, Tom (Alexion) seems to be far too tough on office secretary Anne (Bamford). His boss, Mr. Bennett (Antonio), urges them to just get along and has very strict viewers about fraternization among co-workers. However, it turns out that Tom and Anne are really secretly married and don't want their secret to come out, lest they lose their jobs. Even crazier, they like to spend their weekends at the nearby nudist camp -- something that turns out to be a big issue when Tom accidentally drops his membership card on the floor at work. An outraged Bennett fires him and vents his frustrations to Anne, unaware that she's into the natural way of living herself. When the camp manager has to go away for a few weeks, he decides to leave Tom in charge for a while to help make ends meet. If you've ever seen one of these films, you can probably figure out how they manage to find a way out of their predicament for good.
Something Weird for ages. It's short and sweet with a lot of eye-popping
Eastmancolor photography showing off the flesh and foliage of the grounds, and the idea of mounting one of these films around a couple's employment and financial woes is a strange one that still feels relevant today. This one doesn't get talked about as much as the rest of the films in this set, but it's about on the same level and unmistakably the work of its director. The Blu-ray looks stunning, restored straight from the negative and likely not even this pretty when it first played theaters; you can easily toss away any old copies you have lying around. Also on this second Blu-ray are the SD trailer for Gentlemen and a Wishman interview (13m46s) conducted by Donald A. Davis in 1974 for his documentary, That's Sexploitation. Presented with subtitles from a transcript since the original audio is lost, it's a real treat and looks gorgeous as she looks back at her nudist cinematic universe.
water and writes glowing
reports about her experiences sharing the sunshine with her fellow nudists. What's a prudish publisher to do but strip off and go undercover himself to blow the lid off these sunny shenanigans?
and the Showgirl. Actually it's a nudie cutie take on The Prince and the Pauper, sort of, with low-voltage twin confusion running rampant at a naturist resort. The film was made right after two other Wishman nudist camp films still considered
lost, Playgirls International and Behind the Nudist Curtain, and this one was thought lost as well until a single German-language print popped up. In a fictitious seaside kingdom, a rich prince (Niles) lives in a castle (that looks more like a plantation) but believes he should be employed in case the peasants revolt. To achieve his goal, he slips out five days a week to go get a job in the city at a business office where he... doesn't do much, apparently. On the weekend he takes off to Sunny Palms Lodge, a pretty ragged-looking resort for the "avid sun enthusiast" where everyone swims and plays volleyball and archery all day. Meanwhile two twins starting new jobs at the office, blonde Eve and brunette Sue Pringle (Sinclair), have gotten to crash for a year in the apartment of traveling friend Mary, with Eve catching the prince's eye as his lazy secretary. A chance weekend meeting at Sunny Palms between Eve and "Mr. Prince" (the only attendee who insists on wearing shorts at all times) sends them strolling through lots of outtakes from Doris's previous films and scintillating shots of naked people seesawing and feeding ducks. When Eve gets back home, Sue wonders whether blondes really have more fun -- and since she has a crush on the prince, she decides to do a hair color switcheroo to nab the man she wants.
more than hit their marks when they're walking around or staring
close to the camera. As mentioned above, this film only exists as a German print featuring only a dubbed dialogue track. Fortunately a text copy of all the dialogue surviving courtesy of the film's submission to the New York censorship board; that made it possible to create a new English track for the 2017 Pop Cinema DVD, which isn't all that jarring since Wishman usually had canned, disembodied voices in her films anyway. It's all set to a bouncy, pseudo-Herb Alpert score that works well enough, too. The image quality isn't so hot, looking washed out and dull, and it seems to be from an unconverted PAL source clocking in at a mere 52 mins 41 secs. Also included is an audio commentary with Michael Rasso, John Fedele, and Bowen covering the director's background ("a national treasure!"), the scenes shot inside her apartment, the status of female directors at the time, and the shooting locations (with stock Florida shots from the real Sunny Palms turning among among the main New Jersey locales). Other extras include a brief Atomic TV segment with Wishman (4m24s) and Bowen, a "Nature Girl" nudist short (13m43s) from the legendary Dan Sonney, a "Nudism" educational short (10m53s) with lots of peek-a-boo shots and scientific text inserts, a 1941 "Rock Lodge" short (14m37s) from the National Convention of American Sunbathers Association in New Jersey (interestingly the earliest piece but also the only one with outright frontal nudity), and a trailer for Hideout in the Sun.NUDE ON THE MOON (Blu-ray)
NUDE ON THE MOON (Blu-ray)
BLAZE STARR GOES NUDIST (Blu-ray)
BLAZE STARR GOES NUDIST (DVD)
HIDEOUT IN THE SUN (Blu-ray)
HIDEOUT IN THE SUN (DVD)
DIARY OF A NUDIST (Blu-ray)
DIARY OF A NUDIST (DVD)
THE PRINCE AND THE NATURE GIRL (AGFA Blu-ray)
THE PRINCE AND THE NATURE GIRL (Forgotten Film Blu-ray)
THE PRINCE AND THE NATURE GIRL (DVD)