Valerie and Her Week of Wonders

Color, 1991, 108 mins. 27 secs.
Directed by Martin Sulík
Starring Maria Pakulnis, György Cserhalmi, Géza Benkõ, Iva Bittová
Second Run (Blu-ray) (UK R0 HD) / WS (1.66:1) (16:9)

Already Tendernessestablished for bringing Tendernesskey films from the wealth of Czechoslovak cinema to a much wider range of viewers, Second Run throws a bit of a curve ball with Tenderness, originally entitled Neha. The title might imply a touching family drama or romance, but that's definitely not what you get here with an elusive and fascinating allegory made as the country was emerging from a long period of Communist rule in the aftermath of 1968's Soviet invasion. The film marked a notable solo feature debut for director Martin Sulík, who continues to turn out significant Slovakian films on a regular basis to this day.

One afternoon in the countryside, Simon (Benkõ, who somehow didn't make another big screen feature for over two decades and passed away in 2017) finds his father lying immobile in bed and his mother claiming they had a physical altercation. Apparently shaken up, he hops on a train and goes to his school apartment where he cuts off most of his hair, sucks blood out of his slashed wrist, and goes for long jogs by the water. At an otherwise empty restaurant he meets up with the volatile married couple Maria (Pakulnis) and Victor (Cserhalmi), who seem to have a turbulent history that makes them extremely hard to predict (as well as personality quirks like divided opinions over opera and a fear of water). As they spend more time together, it becomes apparent that their mind games are dovetailing with Simon's own passage to adulthood.Tenderness

TendernessWith its eccentric score and love triangle premise, Tenderness feels like it could tip over into thriller territory or a dark melodrama at any point but never quite gets pinned down that easily. The sudden emotional or physical outbursts are easy to interpret as a climate where the entire populace seems to be suffering from some indistinct form of PTSD, an aspect played up with the occasional moments of viewing home movies that segue into some unsettling sexual territory on a couple of occasions. The actors all do solid work here with Pakulnis getting the most showy material with a performance that feels like it could have been written for someone like Hanna Schygulla, and on the technical front it looks wonderful with those golden blasts of indirect sunlight that seem to be particularly popular in Slovakian productions.

In 2020, Second Run released the film on Blu-ray (its global premiere) featuring a new 2K restoration supervised by the Slovak Film Institute and approved by Sulík. Essentially out of reach for English-speaking viewers for decades apart from its handful of festival screenings, the film looks excellent here and up to the company's usual high standard for its 1080p Tendernessreleases. The LPCM 1.0 mono audio track (with optional English subtitles) is also crystal clear. The new featurette "On Tenderness" (26m13s) features Sulík, screenwriter Ondrej Sulaj, composer Vladimír Godár, cinematographer Martin Strba, and "dramaturgist" / script editor Zuzana TendernessGindl-Tatarová sharing thoughts on the increasing liberation at that time to write openly without having to code any dangerous ideas to avoid censorship. They also go into the general climate of the time, the meaning of the title, the initial script (as The Mist) that was completely jettisoned apart from the opening scene, and the commentary on the generation gap that became a major focus of the entire narrative. Also included is "Hurá" (27m55s), or "Hooray," Sulík's impressionistic collage depicting the rise of Communism in his homeland using photos and newsreel footage intermingled with film clips and reminiscences of an older male narrator. As usual, you also get an essential insert booklet -- in this case featuring liner notes by author Peter Hames -- featuring useful context for the director's previous and subsequent career, the state of filmmaking at the time, other artistic and political influences swirling around, and the messages viewers would have picked up on during its initial release.

Reviewed on August 19, 2020