
ingenuity, or adorable incompetence. Shot in L.A. under the title The Killing Touch and
barely given a theatrical release by short-lived Impact Films, Fatal Games hit VHS from Media back in the mid-'80s but seemed to fall off the face of the earth for decades after that. However, gray market viewing options managed to build word of mouth for this eccentric, colorful slasher romp designed around a bunch of young Olympic hopefuls, complete with a wild climactic twist that feels even more transgressive today (and aligns it with another, much more loved summer camp slasher from the previous year). Finally fans got their reward at the end of 2023 when Vinegar Syndrome released it on Blu-ray in limited slipcover and standard editions, with a slew of extras explaining how this singularly strange stalk-and-slasher came into existence.
comfortably with his nurse/assistant Diane (future Oscar nominee Kirkland from Anna and Two Evil Eyes), but that's the least of their problems when someone in a dark
tracksuit starts killing off the kids one by one with a very sharp javelin. No swimming pool, field, or hallway is safe as the competitors seem to vanish, with gymnast Annie (Banashek) and runner Phil (Masterston) forced into detective duties to unmask the culprit.
back out to the public. The DTS-HD MA 2.0 English mono track sounds perfectly fine what it is, with optional English SDH subtitles provided. The always reliable team of Bill Ackerman and Amanda Reyes is back with another champ of a commentary, this time recorded in
Redondo Beach (mere feet away from where this review was written) at the former location Aviation High School where this was shot. They're well-versed as always in every background aspect you could want to know including the Olympics around the same time, the bizarre co-writing participation of Rafael Buñuel (son of Luis), and various connections throughout '80s horror and teen movies (as well as Psycho). In "The Winning Touch" (7m58s), Tracie Hellberg (formerly Lynn Banashek) talks about her own gymnastics background, her approach to her "innocent, naive" character, the use of Linnea Quigley as her nude massage body double, and lots of other memories. In "Going for Gold" (10m45s), Masterson recalls the audition and casting process, his rapport with co-writer and actor Chris Mankiewicz, the attempts to tie into both the Olympics in real life and Friday the 13th, and the lack of any horror affinity with Elliot. In "Death on the Staircase" (9m30s), actor Michael O’Leary looks back with amusement at his impression that he had to learn parallel bars for his role, some scenes likely shot to pad out the running time, and the real-life source of a very eerie sound effect. "A Great Day at the Office" (8m57s) features actress Melissa Prophet explaining how she came on because of Mankiewicz and got to use her dancing experience as part of her character's physicality. Then it's Williams-Crosby's turn in "It’s the Taking Part That Counts" (6m8s), talking about her movie into acting after a music career with her twin sister, her hiring for this film, the angle she took on her character as a lesbian coach, and the step this film became in her acting path. Finally in "Cutting Gym Class" (8m38s), editor/associate producer Jonathon Braun, ACE goes into his UCLA schooling, his initial plans to go into cinematography, his friendship with the director, and getting to jump into this film after Dawn of the Mummy. Also included are a promotional and nudity-heavy production photo gallery (4m57s), the original The Killing Touch main title card, and a theatrical trailer.