B&W, 1958, 80 mins. 40 secs.
Directed by Joseph H. Lewis
Starring Sterling Hayden, Sebastian Cabot, Carol Kelly, Eugene Martin, Ned Young, Victor Millan
Arrow Academy (Blu-ray) (US/UK RA/B HD), MGM (DVD) (US R1 NTSC), Umbrella (DVD) (Australia R0 PAL) / WS (1.85:1) (16:9)
directors in
Hollywood's golden era could wring more style and visual cleverness out of very little money as Joseph H. Lewis, at least when he put his heart in it. Though routinely saddled with what were perceived as B pictures, he managed to sometimes inject ambitious camerawork and innovative compositions into multiple genres as found in My Name Is Julia Ross, So Dark the Night, Invisible Ghost, The Big Combo, and his absolute masterpiece, Gun Crazy. Lewis's last theatrical feature before moving to television (and one of several pseudonymous scripts by blacklisted Dalton Trumbo), Terror in a Texas Town, is unmistakably his work right off the bat as it sets up an off-kilter, sweaty, paranoid atmosphere designed to get the viewer's blood boiling.
The murder is
witnessed by young Mexican immigrant Pepe (Martin) and his family including landowner Mirada (Millan), but the local authorities aren't motivated to discover the killer's identity. Complications arise when George Hansen (Hayden), the son of the deceased, arrives in town to claim the land he's inherited. After refusing a $300 offer from McNeil, he and the neighbors become targets for harassment and violence that escalate into a final showdown.
in the '00s on DVD by MGM in the U.S. and Umbrella in Australia, Terror in a Texas Town has been given an impressive visual overhaul here on Blu-ray from Arrow Academy
with a newly commissioned restoration that looks very natural and detailed with a large amount of organic film grain and deep blacks. Really nothing to complain about here; it looks great throughout with even the darker scenes coming through nice and clear. The English LPCM mono track also sounds sharp and impressive, with optional English SDH subtitles provided. Extras include a Peter Stanfield video intro (13m10s) about Lewis's career and futile attempts to put him in the auteur canon despite the number of anonymous programmers in his filmography, a Stanfield visual analysis (14m14s) of the film's style including repeated movement within the frame and pre-Leone foregrounded objects, and the theatrical trailer.