Color, 1985, 86 mins 31 secs. / 118 mins. 49 secs.
Directed by Larry Cohen
Starring Michael Moriarty, Andrea Marcovicci, Garrett Morris, Paul Sorvino, Scott Bloom, Danny Aiello, Patrick O'Neal
Arrow Video (UHD & Blu-ray) (US R0 4K/HD, UK RB HD/PAL) / WS (1.85:1) (16:9), Anchor Bay, Image Entertainment (DVD) (US R1 NTSC), Boulevard (DVD) (UK R2 PAL) / WS (1.78:1) (16:9)


If you've been looking The Stufffor a good reason to skip dessert, The Stuff should do the trick. After satirizing The Stuffurban cynicism and ennui in Q, director Larry Cohen turned his camera towards consumerism with this batty little film, which features another delicious hambone performance from Michael Moriarty and enough scattershot laughs to make it more of a black comedy than a horror film. The interplay between the characters is far more interesting than the monster itself, so as long as you're expecting a Cohen film instead of something genuinely scary, there's plenty of Stuff here to like.

An elderly, hungry oil refinery worker in Alaska notices some white goo bubbling up out of the ground. Curious, he decides to taste it and mentions to a coworker that people might actually enjoy using it as a food source. Then voila, this white substance becomes a nationally popular dessert known as The Stuff. Low calorie and utterly yummy, it earns a place in every home and sends other food manufacturers into a financial tailspin. Enter industrial spy "Mo" (Moriarty), a smooth talking Southern boy hired to uncover the secret ingredient of The Stuff, which has already caused ruin for the likes of cookie guru "Chocolate" Charlie (Saturday Night Live's Morris). Meanwhile little Jason (Bloom) notices The Stuff moving of its own free will in the refrigerator late one night and refuses to touch it. His family loves it, however, though they begin to resemble zombies more than human beings. The two plot threads eventually collide, with Mo and ad exec Nicole (Marcovicci) resorting to the military aid of extremist Colonel Spears (Sorvino) to combat the national menace.

As with most Cohen films, The Stuff runs mainly on wit and sheer energy rather than logic or coherence. The editing is all over the place, arguably The Stuffeven more than God Told Me To, but the film is so endearing in its own shaggy dog way that it's hard to quibble. The ad campaign dreamed up for The Stuff is hilarious, with personalities ranging from Brooke Adams to Clara "Where's the Beef?" The StuffPeller and Abe Vigoda gushing about their favorite foodstuff.

In keeping with common Cohen practice, The Stuff was shot open matte but framed for and presented at 1.85:1 in theaters -- that is, all thirty or so theaters that actually showed it. The film did much better on video, where its unforgettably gross (and misleading) cover art lured in plenty of '80s splatter fans. Anchor Bay's DVD released in 2000 contains the original poster artwork, which misleadingly implies that the stuff eats up its victims from the inside. The matted transfer here looks much better than the old VHS tapes, obviously. The animated menus designed like a commercial for The Stuff are terrific, as is the phony public service announcement trailer. Exclusive to this release is a Cohen commentary track, which increases one's appreciation of the film immensely as he rattles off anecdotes involving everything from Teamsters to Moriarty's hairpieces. He also points out a number of actors from his other films, including a supermarket cameo from Special Effects' Eric Bogosian. Though he tends to repeat himself quite a bit, he keeps things making at a fast clip and proves to be just as witty as his infamous off-kilter dialogue. He also reveals that Morris was not quite, um, himself when they shot the film and reveals the original actor he wanted for the role. Incidentally, Jason's brother is played by the actor's real life sibling, Brian Bloom, who went on to become a TV star on Bandit and appeared in the New Horizons horror film Knocking on Death's Door.

In 2014, Arrow Video brought the film to Blu-ray and DVD in the U.K. (where it had earlier appeared as a stripped-down edition in 2010 The Stufffrom The StuffBoulevard Entertainment). The same Arrow edition (Blu-ray only, since a budget DVD edition was still out from Image) made it to U.S. shores in 2016, sporting the same transfer and extras -- and it's a winner either way. The HD transfer looks fantastic with the bold, often glowing color coming through perfectly and the hazy, distinctive '80s film stock texture remaining intact. There's also a huge amount of extra visual information visible here compared to past releases. The LPCM English 1.0 audio sounds excellent, with optional English subtitles provided. Instead of the commentary you get the trailer in its original version and with Darren Bousman commentary for Trailers from Hell, and most substantially, "Can't Get Enough of The Stuff." Running 52m9s, it's a lengthy look at the production of the film (sometimes reiterating stories from the commentary) with Cohen, Marcovicci, producer Paul Kurta, makeup effects artist Steve Neill, and Kim Newman offering an account of its unique charm and scrappy indie creation. The packaging features an essay by Joel Harley focusing on the film's place in Cohen's often satirical filmography.

In 2025, Arrow revisited The Stuff as a two-disc edition featuring a UHD with a HDR10-compatible Dolby Vision grade for the new restoration from the original camera negative. As you would expect, it looks quite stunning with those very '80s neon colors popping off the screen and the detail coming through nice and clear while retaining that natural film grain we all know and love. Compared to the prior Blu-ray it looks about the same in terms of framing with similar color timing apart from being a notch brighter and with The Stuffpunchier whites. The LPCM 1.0 English mono audio sounds very good and similar to past releases, with optional English SDH subtitles. Finally the old Cohen commentary returns here, plus you get a new commentary with David Flint and Adrian Smith who are clearly having a blast covering all the notable actors on display, going into the The Stuffbacking of the film including New World's lack of enthusiasm for Moriarty, diving into their own favorite moments, and exploring how the film messes with genre tropes and uses comedy for a very specific point. "Enough Is Never Enough" (16m44s) is a newly-edited featurette using interview footage with Cohen and Kurta from the 2017 Steve Mitchell documentary King Cohen, covering the film's genesis and development complete with some amusing transition choices. Callum Waddell's 2015 doc 42nd Street Memories: The Rise and Fall of America's Most Notorious Street (81m45s), which features Cohen among a group of talking heads covering the heyday of New York City's legendary sleaze movie mecca, is also included here and was previously seen on Grindhouse Releasing's Pieces Blu-ray, Turbine's German Blu-ray of Last House on the Left, and 88 Films' first U.K. Blu-ray of Anthropophagus. Also included are two trailers, a TV spot, a new Arrow trailer, a King Cohen trailer, and a 12-image gallery. The packaging includes a reversible sleeve with original and new artwork by Chris Barnes and an insert booklet with essays by Joel Harley and Daniel Burnett.

But wait! Since this is a two-disc set, you also get a Blu-ray featuring a pre-release version of the film clocking in at a much longer 118 minutes. This print apparently surfaced by surprise and represents Cohen's initial cut delivered to New World, which he was begrudgingly forced to cut down and rescore. Though the gist of the film is the same, the experience is quite different with many scenes extended and shuffled around including a great Peller-Vigoda commercial placed at the beginning. There's a lot of expansion for the Moriarty-Marcovicci romantic relationship here including a lengthy bedroom scene, and the ending plays out differently by dropping the stinger epilogue and instead closing on a more clear-cut note. The presentation here is obviously from a print but looks quite nice all things considered, again with 1.0 LPCM mono audio with optional English SDH subtitles.

Arrow Video (Blu-ray) (Pre-Release Version)

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Arrow Video (Blu-ray)

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Anchor Bay (DVD)

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Updated review on June 26, 2025