THE DUNGEON OF HARROW
Color, 1962, 87m.
Directed by Pat Boyette
Starring Russ Harvey, Helen Hogan, William McNulty, Michele Buquor, Maurice Harris, Lee Morgan, Eunice Gray
DEATH BY INVITATION
Color, 1971, 81m.
Directed by Ken Friedman
Starring Shelby Leverington, Aaron Phillips, Norman Paige, Denver John Collins
Vinegar Syndrome (DVD) (US R0 NTSC) / WS (1.85:1) (16:9)
Along with establishing itself as one of the most surprising and unlikely Blu-Ray
companies out there, Vinegar Syndrome has also proved to be a blessing for fans of deeply obscure cult films whose elements aren't in good enough shape to justify an HD presentation. Their resurrection of the once-lost The Suckers is one of their high points to date, for example, and thankfully their SD-only releases are double features to make the deal even sweeter. Something of a stir was created when one of their first DVD titles, a pairing of Savage Water and Death by Invitation, was pulled at the last minute, but fortunately the co-feature was allowed out the door after all on a double bill with a more thematically appropriate semi-supernatural TV favorite, The Dungeon of Harrow.
string of incredibly awful public domain video editions. The undeniable highlight comes just a bit past the one-hour mark when our hero sees an arm emerging through a stone wall and finds himself confronted with a truly creepy surprise from the grave; had the entire film sustained this kind of morbid intensity, it would definitely be better known. The idea of de Sade's madness manifesting itself as a flamboyant "ghost" (Morgan) is an interesting one as well, leaving the viewer unsure exactly what's going on well into the running time. Director Pat Boyette was
already established as a comic book artist, and that sensibility helps here even when the film tends to sag a bit in the midsection; he even throws in some almost swashbuckling action for the climax (in broad daylight, weirdly enough) and a chilly little sting in the tale at the end, too.
The premise here is hardly original (heck, it's almost a rehash of the previous year's Mark of the Witch), but Death by Invitation has that strangely moody, dark, druggy ambience you find in many other low budget '70s horrors like Love Me Deadly and Messiah of Evil. It's not on par with those, of course, but the strange atmosphere goes a long way to helping this one stick in the memory. Leverington's performance is a major asset, too, as she's beautifully shot in shadowy, gothic settings and manages to actually make a pretty convincing ang
el of vengeance. Quite a bit of the film is pretty inexplicable (especially the recurring back story involving flesh eating and supernatural female dominance), but chances are it'll make quite an impression.