he'd become a superstar in the horror community
with his legendary roles for Hammer Films, Christopher Lee was still busy appearing in a variety of European co-productions that showed up off affinity for playing villains and heroes alike with great skill. He ended up getting one of his juiciest assignments from busy producer Harry Alan Towers (who wrote most of his own scripts under the name Peter Welbeck) with a splashy, full-color cinematic revival of Fu Manchu, the nefarious supervillain who featured in a large number of pulpy adventure novels by Sax Rohmer and most famously filmed earlier with Boris Karloff in The Mask of Fu Manchu. Even in the 1930s, the character had been the object of protests from the Asian community for its indulgence in "yellow peril" stereotypes that made it the violent flipside of the popular Charlie Chan mysteries. Nevertheless, the Rohmer formula proved to be highly influential over the years and had an undeniable influence on Ian Fleming, whose Dr. No in particular has Fu Manchu written all over it. For various reasons involving theatrical distributors and subsequent rights holders, it's been difficult to gather all five of Lee's films in the same place -- but the impossible has been achieved with the 2020 Blu-ray set from Indicator, The Fu Manchu Cycle, 1965-1969, which presents all the films in their finest editions to date... by a long shot.
rights scattered around since then including a 2012 DVD-R edition from Warner Archive in 2012 and a pressed disc from Optimum on U.K. DVD. No matter how you see it, the film still holds up as an atmospheric and elegantly mounted thriller under the guidance of director Don Sharp, who had proven his mettle at Hammer with Kiss of the Vampire and Rasputin: The Mad Monk. It's also the only entry shot in scope, using every inch of the expansive frame to its advantage while keeping the feel of Rohmer intact including the original early 20th-century setting.
thin white scratches fluttering against the edge of the left side, it's nice to see the extra image info that had always been hidden before for such a significant chunk of the running time. The DTS-HD MA English 1.0 mono track also sounds excellent and comes with optional English SDH subtitles, a configuration repeated for the other four films in the box. An audio commentary with Stephen Jones and Kim Newman is a thorough study of the film and the series as a whole, covering Towers' globe-hopping approach to the cycle (for possibly shady reasons), the importance of Rohmer's literary influence, Lee's career around the time, and the luxurious approach to the production compared to many of its peers at the time. Two other audio options are "The BEHP Interview with Don Sharp - Part One" and "The BEHP Interview with Ernest Steward - Part One: The BIP Years," both of which run through the length of the feature and have the director and cinematographer speaking at great length about their personal histories and many of their key projects over the years. A short black-and-white archival interview with Lee (3m54s) recording during the shoot in Dublin (and featured on the local show Newsbeat) features him talking about his rise to horror stardom and his belief that he got villainous roles based on his performance in A Tale of Two Cities. A new video intro by BFI curator Vic Pratt (6m48s) is a good thumbnail guide to the film with context about the shooting locations, the major players behind the scenes, the increased kink factor that imperiled a variety of beautiful actresses, the very '60s visual elements that pop up despite the setting, and the star's desire to add a major literary name to his roster of roles even within the confines of his makeup. In "Underneath the Skin" (48m32s), Christopher Frayling takes a deep dive into Rohmer proper with an analysis of the literary canon, the author himself (including the origins of his pen name), the evolving social attitudes that sometimes ran counter to the book series particularly with regards to British imperialism and attitudes about Chinese culture and immigrants. Also included are three alternate title sequences (American, French, and Spanish), a two-part, black-and-white Super 8 version (16m8s) with sound expertly added back from surviving vinyl copies, three trailers (British, German, and textless French), and an extensive 98-image gallery of stills and promotional ephemera. 
Quickly shot and released to theaters a year later, The Brides of Fu Manchu brings back Sharp for a slightly scalded-down adventure that keeps Lee but swaps out Douglas Wilmer as Nayland Smith this time around (likely due to Green being off in L.A. making Let's Kill Uncle). This time the mastermind (who somehow thwarted his fate at the end of the prior film) is cooking up a plan in the heart of London to kidnap and brainwash the daughters of prominent scientists from ten different countries to serve as both potential brides of evil and as leverage to blackmail their fathers into helping him devise a destructive signal that can be blasted through the world's radio transmitters. Sequestered away at his underground base with Lin Tang once again, he leaves just enough clues to intrigue Smith and his compatriots including regular sidekick Dr. Petrie (Marion-Crawford) as the trail leads through numerous scuffles, chases, abductions, and other perilous obstacles on the way to another cataclysmic confrontation.
out nicely here.
You also get two viewing options, the superior U.K. theatrical version (complete with BBFC card and Nat Cohen opening fanfare) and the U.S. version (the one seen on the Warner disc) featuring a brief prologue cobbled together with awkwardly cropped footage from the prior film. A new audio commentary with film historians Kevin Lyons and Jonathan Rigby is a lively, conversational tour through the film including comments about the major and minor cast members, speculation about Green's departure from the series, considering chat about Lee and Towers, and the state of British horror films at the time. Also included are the second parts of the BEHP interviews with Sharp and Steward, with the Sharp one in particular a real treat picking up right after his Hammer phase with his first association with Towers thanks to the oddball Our Man in Marrakesh, a.k.a. Bang! Bang! You're Dead. Lee himself takes the spotlight in a 1994 appearance with film critic David Robinson for The Guardian Interviews at the London Film Festival series, chatting at length for a general overview of his career including his start in acting, his desire to tackle a wide range of parts, and the challenges he sought out both in and outside of genre films. A new Vic Pratt video intro (6m53s) lays the groundwork for an appreciation of this film tying it into the success of the first entry and providing more detail about Towers and his negotiations with Rohmer's estate. Speaking of Rohmer, you get another rundown of his output, life, and the issues of the "yellow peril" tropes that are central to these stories. The theatrical trailer is also included, plus
a
B&W TV spot and a gallery of 77 images featuring a wealth of publicity and production stills.
of
nightclub numbers and would pop up again in this series as well as many of Towers' other Jess Franco films. It also boasts a musical switcheroo of sorts as well with Malcolm Lockyer's groovy exotica accompaniment serving as perhaps the best score of the series.
particular.
When Towers' deal with Warner Brothers/Seven Arts ended, he took the series and Lee to director Jess Franco for two more films by Jess Franco, The Blood of Fu Manchu and The Castle of Fu Manchu, which have more complex release histories including standalone U.S. editions on UHD and Blu-ray. Click here for full coverage of those. The limited edition 6,000-unit box also contains a 120-page book with a new essay on the series by Tim Lucas, a look at Towers' career, an overview of Rohmer, new notes on The Ghost of Monk’s Island and the Stoll Pictures’ Fu Manchu silent serials, archival newspaper coverage, pressbook extracts, and sample critical reviews, as well as double-sided poster and five replica production stills. Initial direct orders from the label also came with an exclusive bonus poster of the "Fu Manchu for Mayor" design that popped up all over New York in 1965. THE FACE OF FU MANCHU (Indicator) (Blu-ray)
THE FACE OF FU MANCHU (Momentum) (DVD)
THE BRIDES OF FU MANCHU (Indicator) (Blu-ray)
THE BRIDES OF FU MANCHU (Warner Bros.) (DVD)
THE VENGEANCE OF FU MANCHU (Indicator) (Blu-ray)
THE VENGEANCE OF FU MANCHU (Studio Canal) (DVD)