Color, 1980, 93 mins. 20 secs. / 90 mins. 46 secs.
Directed by Alvin Rakoff
Starring George Kennedy, Richard Crenna, Nick Mancuso, Sally Ann Howes, Kate Reid, Victoria Burgoyne Nucleus Films (Blu-ray & DVD) (UK R0 HD/PAL), Scorpion Releasing (Blu-Ray & DVD) (US R0 HD/NTSC), King (Japan R2 NTSC) / (1.78:1) (16:9)
A spooky, trashy anomaly set adrift in an ocean of cinematic slasher films during the early '80s, Death Ship is the kind of movie people stumble upon late at night on TV and spend years trying to track down again. You've got all the ingredients here for a pulpy good time: a semi-celebrity cast; a supernatural high concept; a reasonable body count; and of course, an evil Nazi-spawned killer ship roaming the seas. How can you possibly resist?
When a luxury liner filled with partying guests gets blind sided by another boat, the survivors of the disaster manage to climb aboard a lifeboat. Out of the fog comes the same ship that caused the incident, a decrepit and foreboding vessel that still offers what may be their only chance of survival. Captain Ashland (Kennedy, cashing a check in between Airport and Naked Gun movies), second commander Trevor (Crenna, hot off of The Evil), and Nick (Mancuso, not so hot off of Nightwing) are among the unlucky few who decide to hang out on the ship until rescue arrives. Soon Ashland is slipping on a sinister black military uniform and acting very suspicious, while one by one, the passengers are getting bumped off. As you can probably tell from the title, this ship has some serious nasty plans in store.
Made at the height of the Canadian tax shelter exploitation era, Death Ship was picked up in America by Avco Embassy and freaked out more than its fair share of kids when its trailer ran constantly at matinee shows. The film itself didn't receive much critical love, probably due in part to the presence of Kennedy, whose name wasn't exactly a stamp of quality at the time. However, it earned a small but consistent cult following over the years thanks to its handful of macabre highlights, most notably the scene in which Nick's girlfriend (Burgoyne) gets a bloody surprise in the shower, a scene later pilfered for the ridiculous but lovable made-for-TV favorite, This House Possessed. The climax is pretty lively, too, including a truly creepy sequence involving a giant net filled with human remains. Director Alvin Rakoff was mostly known for his TV work and doesn't do much more than point the camera and shoot, but the whole film has an eerie atmosphere (heck, it's got a ship blaring Nazi interrogation commands on the loudspeakers!) and a strange, unsettling electronic score by Ivor Slaney, who had recently scored Norman J. Warren's Prey and Terror. And wouldja believe the script is based on a story co-written by Jack Hill (Spider Baby) and David P. Lewis (Klute)?
Early home video versions of Death Ship were a lousy bunch, beginning with the muddy Embassy VHS release and continuing to DVD with a very murky Japanese release. The 2007 UK version from Nucleus fared better thanks to fresher source elements and a much-touted brighter presentation of the shower scene, showing off some anatomical blood-smeared details obscured on prior editions. It also has the first batch of substantial extras: an audio commentary with Rakoff and frequent extras contributor Jonathan Rigby, a fun "Stormy Seas" featurette (41ms15s) with Rakoff, Hill, Kennedy, and Mancuso, a batch of minor deleted footage (mostly dialogue), selections from Hill's original story, three trailers, and a poster and stills gallery. Optional English subtitles are also included.
It took another five years, but America finally got its own special edition of Death Ship in 2012 as part of Scorpion's horror line, Katarina's Nightmare Theater. As you can probably guess, cheeky hostess Katarina Leigh Waters does spirited video wraparounds and even contributes a video bonus, "Learn What the Ship Is Saying," in which she offers a Mel Brooks-style translation of the death ship's German commands. There's also an isolated music score (a very nice touch considering the music never had a commercial release), those three-plus minutes of VHS-sourced deleted scenes, the American trailer, and bonus previews for titles like Silent Scream, Humongous, The Hearse, Don't Answer the Phone, and Mortuary. As for the film itself, it looks pretty darn good; the transfer on the DVD edition (the first version released by a couple of months) is given plenty of breathing room (it's a dual-layered disc with the feature taking up over an entire layer); you'll see some softness and speckles during the opening credits as usual (those optical always looked a little iffy), both otherwise it's smooth sailing. (And yes, that shower scene is nice and clear, so no worries there.) As usual, the cover art retains the terrific original poster art (reused again years later for Warner's Ghost Ship). The Blu-ray version is taken from the same HD source, obviously, and features the expected bump in clarity with details like clothing patterns and facial hair registering more clearly. It's also worth noting that the color timing of this film has always been a little wonky; 35mm prints had a gray, bleak appearance (which you can tell from the similar trailers circulated on comps over the years), and while the UK disc appears to have been digitally swerved to color correct it to something closer to a "normal" palette (pumped up yellows and reds, for example) along with some sharpening in the process and extremely harsh whites, the Blu-ray in particular has a more restrained, cold appearance. Individual tastes will vary, of course.
In 2018, Scorpion Releasing revisited the film (a la its redo of House on Sorority Row) with a fresh 2K scan of the interpositive, adding the deleted scenes back into the body of the film (in vastly superior quality than ever before) for the longest cut to date and featuring the clearest version of the shower scene yet for those keeping track of such pressing cinematic issues. The older Blu-ray was already in nice shape but this one refines it with more consistent color timing (less pink and lavender in the skin tones in some scenes), finer detail, and deeper blacks that add quite a bit of atmosphere during the ship interior scenes. Audio options include a tasteful but effective new DTS-HD 5.1 mix, DTS 2.0, the Rakoff commentary, and isolated music track, with optional English SDH subtitles. Making its American debut is the "Stormy Seas" featurette, the Nightmare Theater mode and "What the Ship Is Saying" routine, the "Blood Star" short story script, a stills and poster gallery (4m25s), and two trailers for this film as well as Blind Date, The Unseen, City on Fire, Seizure, House on Sorority Row, and Opera. Initial copies available through Diabolik and Ronin Flix feature a slipcover while supplies last, featuring the new cover art design.
In 2020, Nucleus revisited the film for its U.K. Blu-ray debut with a special edition that features the preexisting goodies along with some new perks as well. The transfer is from the same source as the remastered U.S. disc (which is good news) and also comes with the 5.1 and 2.0 English DTS options with optional English SDH subtitles (and, in a nice touch, additional German translations). The Rakoff commentary and isolated score track are here along with six theatrical trailers, two deleted scenes, shower scene comparison, and excerpts from the Bloodstar script. In a nice touch, "Stormy Seas" (42m35s) is included here in a new HD upgrade with all of the film clips and interview footage looking considerably improved. On top of that you get three different trailer and poster reels starting off with one for Rakoff (24m48s) featuring titles like Passport to Shame, The Treasure of San Teresa, World in My Pocket, The Comedy Man, Crossplot, Hoffman, Say Hello to Yesterday, King Solomon's Treasure, City on Fire, and Dirty Tricks. Then it's time for Howard Greenberg (24m2s) with trailers for The Neptune Factor, Seizure, The Little Girl Who Lives Down the Lane, Breaking Point, Rituals, In Praise of Older Women, The Uncanny, City on Fire (again), Terror Train, and the first two Porky's films. Finally Jack Hill (28m54s) is represented with Spider Baby, Blood Bath, Mondo Keyhole, Pit Stop, I a Groupie, The Big Doll House, Coffy, Foxy Brown, The Swinging Cheerleaders, Switchblade Sisters, and Sorceress. Finally the disc closes out with a gallery (7m40s) of stills, video sleeve covers, press books, and posters.